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I see how that can be scary to people, but for us we really thrived on that.”Widow’s Weeds ends up being about rebirth and renewal, facing darker elements of the soul (or society) head-on, and choosing to either engage—or leave them behind.

We didn’t want it to end.”Despite the halcyon studio time, the band members were wrestling with challenges in their personal lives. If Butch is interested in doing this at all, let’s just call him. “The record does have a mourning vibe, but it’s not sad,” he says.

If that means going outside of his comfort zone, so be it. “It was like, ‘okay, this has actually been really good; he’s gotten stuff that has probably been bothering him for a long time sorted out.’”In a nod to Aubert’s healthier mindset—and in a big change from past working environments—the members of Silversun Pickups welcomed friends and family into the studio as they were recording.
It was crushing you. Photo by Claire Marie Vogel. “With the ideas that were popping around in my head, it felt like, ‘God, this would be awesome; I think it’s time. “There’s still synthy stuff on there for sure.

Silversun Pickups have always considered their sonic density a source of pride: The Los Angeles band’s four studio full-lengths—including their 2006 gold-selling debut, Carnavas, which spawned the hits “Lazy Eye” and “Well Thought Out Twinkles”—reveal additional sonic gifts with each subsequent spin.Their fifth album, Widow’s Weeds, also caters to an adventurous, patient group of listeners. “It’s change. “I feel Brian’s lyrics have gotten more direct over the last couple of records. 106.7 KROQ – The World Famous KROQ. We never used to before. “We made a conscious effort to rein in the electronic stuff a little bit, and have more pianos and organs,” Lester says. Valid government-issued photo ID required for entry to age-restricted events. We were too shy.” Creating this kind of social, nurturing atmosphere added levity and accountability, and kept everyone in the band grounded. He’s such an easygoing person, and he put everybody at ease.” That camaraderie translated into a studio environment that involved intense and serious hard work unfolding in a jovial, even lighthearted, manner. “This was the first album where we were open,” Aubert says. “But we started as friends first, and we care about each other—you know, this is our second family. Things are really changing, and I’m starting to emotionally connect to things, and starting to take care of myself. “We were exposed. But we have strings again, which we hadn’t done for a couple of records. It’s growing up, and moving on and letting go of things. The timing didn’t feel right until now, Aubert says. © 2020 Marathon Music Works He focused so much on the album and put so much of his heart into it—as we all did, but especially coming out of all that, he needed something to really focus on.” Lester also saw big, positive differences in his bandmate.

Aubert, meanwhile, found himself in an extremely dark place, for reasons he couldn’t immediately explain.“We started making this album about mourning, and it’s like, ‘What are you mourning? “I don’t know many bands that have lasted that long,” she says. Silversun Pickups will release their fifth studio album, Widow’s Weeds, on June 7. Don’t be afraid.’Absolutely no refunds - no exceptions.

I’m starting to ask for help.”Aubert’s bandmates also saw an immediate change in him as they reconvened to finish Widow’s Weeds.

“Doing this in front of people is so much more enlightening, and really helps you focus on things,” Aubert says.
“Not just with Butch, but with people around us. “It has moments of intimacy, but then it really comes alive and big-sounding,” Guanlao says of the song. After their incredible performance in the HD Radio Sound Space, the Silversun Pickups sat down with Nicole Alvarez to chat about their favorite things in pop culture, their development as a band, and their most recent album "Widow's Weeds".

The band admitted that everything in between, including how the rest of Widow’s Weeds was sequenced and how the album unfolded, often surprised the band.“We didn’t know exactly which emotional level the lyrics were going to start at,” Aubert says.


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