Bell won a Grammy this year for a comeback album; revere our legends while they’re still here. You can sign up to receive it here. It’s more unwieldy and shaggy than Stax albums were often given the opportunity to be. He issued his first album, The Soul Of A Bell, in 1967, and got lost in the shuffle behind Sam and Dave, Isaac Hayes, and others. Stax Records is synonymous with Southern soul music. For the label please use Stax To be used when records specifically credit "Stax Records" for … But that’s not the album I’m recommending here: McElmore Avenue might bear the distinction for the weirdest album in the Stax catalog, as it’s a largely instrumental cover of the Beatles’ Abbey Road, released just over six months after that album came out. You can get the Vinyl Me, Please edition of this album right here. That includes one of the best blues albums of all time: Born Under A Bad Sign, a ripping, best of both worlds album, that features the M.G.’s as the house band for King’s blues guitar pyrotechnics. They were also the first act to put out a full length LP on Stax; their 1962 album Green Onions was the label’s first LP megahit, hitting number 33 on the pop charts, which is remarkable for an instrumental album in any era. This album is the Vinyl Me, Please Classics album for November 2018. It’s got Otis covering Sam Cooke—his hero—in service of moving past his influence, his amazing take of “Treat Her Right,” and the eventual classic “634-5789.” But it also boasts the most emotional, open performances of Otis’ entire career with “Cigarettes And Coffee.” Otis is often reduced to a myth, but The Soul Album is him as a raw performer, just a soul singer bleeding his heart out over every track. Stax is one of the most important independent American record labels maybe in recorded music history, launching the careers of Otis Redding, Isaac Hayes, Booker T. Jones, William Bell, Mavis Staples, Albert King and many, many more. Stax’s roster is filled out by a bunch of performers who never got their just due, but that’s the nature of the beast. You can practically hear the sweat drip off of him as this album rolls on. TRIBUTE TO GOSPEL TRUTH RECORDS WITH FIRST-EVER DIGITAL RELEASE OF 25 ALBUMS FROM THE STAX IMPRINT’S CATALOG. Originally known as … William Bell is one of those, and part of that is just the bad luck of his life: He was poised to be one of Stax’s solo stars, releasing a single as far back as 1961, before being drafted to serve in the military during Vietnam delayed his attempt at being a popular artist in the Stax lineup. You’re already getting Comfort Me so why not get this Carla Thomas album too; reissued this year by Stax, with fortuitous timing thanks to the song’s prominent place on the Baby Driver soundtrack. B-A-B-Y is must own for reasons beyond that though; this album was a showcase for the David Porter-Isaac Hayes writing team, as around the release of B-A-B-Y they suddenly became the best writers of soul music on the planet for a bit (they also wrote most of the Sam & Dave canon). Stax doesn’t get much due for the amount of blues it put out, because the soul releases are what kept the light on. But the label released an album from John Lee Hooker, multiple albums from Little Milton, and most notably, their biggest blues artist, Albert King, who released eight albums on the label. Before her solo career got relaunched this century by Jeff Tweedy, Mavis Staples and her family the Staple Singers were a linchpin of the Stax roster in the mid-’60s thru the label’s demise. But even back then, people recognized Mavis could be a solo star, so Stax subsidiary Volt had her record two albums in 1969 and 1970, respectively. The title track is one of the best blues singles of all time, and somehow the rest of the album manages to live up to it. There are digressions along the way—there is probably no album ever with this many interludes—but it’s an audacious undertaking that Porter manages to pull off. Running through Gospel Heritage Month in September, the campaign includes the digital release of 25 albums, plus special playlists, videos and a forthcoming compilation on vinyl and CD. They acquiesced, and he propelled the label to big sales in the post-Otis Redding days where it seemed like the label might be in serious trouble.

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