Sonnet 73 is part of Shakespeare’s 154 sonnets.Moreover, this sonnet is part of the Fair Youth sequence, a series of poems (from sonnets 1 to 126) that are addressed to an unnamed young man. The lost “love” could be the speaker, who will die and leave the youth behind. It is important to note that the couplet could not have The notion that death might be “rest” offers a positive perspective on the speaker’s eventual fate. This imagery suggests that the speaker’s has an accepting attitude towards inevitable death.“That” is yet another deictic pronoun.

When Henry VIII left the Catholic Church in 1534, his orders left many cathedrals bare and ruined across the English landscape.“Bare ruined choirs” can refer to the aforementioned “boughs,” which serve as the location for a “choir” of “sweet birds.” The bareness of the boughs marks a subtle seasonal shift from autumn—when “yellow leaves… do hang”—to winter, when the leaves are gone.The printing press arrived in England in 1476 with printer William Caxton. quatrain, the speaker compares himself to the glowing remnants of extinguished as it sinks into the ashes, which its own burning created. In this poem, the speaker invokes a series of metaphors Though the speaker does not overtly say that he is the “love” that the youth must leave, the two words create the impression of, or memory of, the speaker in these final lines. In the couplet, the speaker tells the young man that he must perceive In death, a coffin “seals up” the deceased. which the speaker likens to “Death’s second self.” In the third In me thou see'st the “Thy love” could also be a syntactically fraught way of saying “This” is another deictic moment. Just as the first and second quatrains related through temporal conceits, the second and third quatrains are related by light-based conceits. The initial conceit of a human life as a year gives way to a conceit of a life as a day. The phrase is a metaphor for sleep and night, which in turn are metaphors for the underlying topic of death.The dense consonant sounds in “Death’s second self” causes the poem’s pace to slow down. “This” could refer to the aging of the speaker that the youth has witnessed throughout the poem or it could refer to the speaker’s “consuming” love for the youth.The imagery that the speaker creates here – fire being consumed by that which gave it birth; the death-bed and youth being inextricably linked — alludes to the idea of the phoenix.
Thus, the couplet offers a universal meditation: as humans, we love most those we must soon leave.There is a notable rim rhyme between “love” and “leave,” a play of sound which underscores the necessary relationship between the two. Sonnet 73 Table of Contents All Subjects About Shakespeare's Sonnets Summary and Analysis Sonnet 1 Sonnet 2 Sonnet 3 Sonnet 4 Sonnet 5 Sonnet 6 Sonnet 7 Sonnet 8 … fallen from the trees, and the weather has grown cold, and the birds Early Modern English paper was made out of clothing scraps and generally had a yellow hue due to the papermaking process. A phoenix is a mythological bird that lives for a century, self-immolates, and is then reborn from the ashes. Indeed, in Sonnet 73 the speaker takes a resigned, rather than combative, stance against his primary foes—time and death. “That” could also refer to the speaker’s love of the youth, which is both all-consuming and destructive to his creative impulse and the fuel that nourishes his poetic fire.The use of “his” in this line is subtle. soon leave. been spoken after the first two quatrains alone. The specifically male tone of “his” is appropriate in that the fire represents the male speaker’s dwindling life.The speaker opens the third quatrain with a new metaphor for a human life: a fire which burns itself away. Rather than claiming that he has knowledge of the youth’s thoughts, he reveals that these ideas are merely an assumption of how the youth views the speaker.In starting this poem with the pronoun “that,” the speaker places this sonnet in an ambiguous space that causes the reader to ask However, on a metaphorical level, “that” signifies “time,” which both gives and takes away life. that he will soon be parted from the speaker when the speaker, like No one loves twilight This second reading of the line makes the poem a commentary on the ephemerality of all life, not just his own. In Elizabethan parlance, “his” often served as a replacement for “its,” and granted possession to gender-neutral subjects, such as the fire. Thus the notion of being blinded in death emphasizes the eventual separation.“Death’s second self” is a metaphor that comes full circle. “Thy love” suggests that the two men have a relationship, and that the youth’s love for the speaker is strengthened by “this,” whatever it may refer to.The reader’s understanding of “this” affects their reading of “thy love.” If “this” is the speaker’s love for the youth, then “thy love” could refer to the youth’s love for the speaker: the speaker’s portrayal of his consuming love makes the youth love him more. nature of his “leav[ing] ere long,” the couplet is possible, and because it will soon be night; instead they look forward to morning. Use up and down arrows to review and enter to select.Use up and down arrows to review and enter to select.


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